Julianne Moore is… Modigliani’s muse, a Klimt damsel, and a tousled temptress by Egon Schiele. Recently, this incredible photo shoot with the actress has surfaced out of an old Harper’s Bazaar and into the art-minded Tumblr-sphere. Check out the shots taken by the famous fashion photographer Peter Linderbergh, side-by-side with their original inspirations, as spotted by Museum Nerd. What strikes us isn’t just the meticulous styling, strategically echoing the visuals of the original artwork with couture. Moore is doing a splendid job channeling the subjects, beaming with vigor of a glamorous “cripple” by John Currin, as if she was a Currin model frozen in a frame. You be the judge. Do these do it for you?

Julianne Moore by Peter Lindbergh as Seated Woman With Bent Knee by Egon Schiele for Harper’s Bazaar.

Julianne Moore by Peter Lindbergh as The Cripple by John Currin for Harper’s Bazaar.

Julianne Moore by Peter Lindbergh as Woman With a Fan by Amedeo Modigliani for Harper’s Bazaar.

Julianne Moore by Peter Lindbergh as Adele Bloch Bauer I by Gustav Klimt for Harper’s Bazaar.

Julianne Moore by Peter Lindbergh as Man Crazy Nurse #3 by Richard Prince for Harper’s Bazaar.

Julianne Moore by Peter Lindbergh as Madame X by John Singer Sargent for Harper’s Bazaar.

Julianne Moore by Peter Lindbergh as Little Dancer, Aged Fourteen by Edgar Degas.

Source: flavorwire.com

Julianne is cover of the new summer issue of Gotham Magazine. In the issue Julianne talks working with Steve Carell in her new film Crazy, Stupid, Love:

“I worship at the altar of Steve Carell. I love him on The Office and had such high expectations of him, and he did not disappoint. This whole entire movie was such a great experience. The director, Ryan [Gosling], Emma Stone—I mean, everything just worked, and I was so happy to be able to do it.”

She talks working close to home:

“Having two kids changes the location of what I do, that’s the trickiest thing. You try and work at home during the school year.” Even if their mom is an Academy Award-nominated actress, Moore is cool enough to admit, “Kids don’t care what their parents do.”

Julianne also talks what films she’s interested in making:

“The older I get, the more I want to do comedy. Tragedy becomes less alluring. I think comedy is infinitely more interesting.”

Thanks to jeanpaul for the heads up!

While looking to new pictures to add here, I found out this gorgeous photoshoot. Not sure about the date, will update you as soon I found out. Also Lexi sent over more pictures of session 129. You can find it in our gallery:

Thanks to dearest Lexi, we have additional HQ pictures of January’s Hasty Pudding, plus a new gorgeous photoshoot. Check it:

Last March, Julianne covered the US print of InStyle magazine, in a new breathtaking photoshoot. I’ve missed it at the time, but finally I’ve added some ‘web find’ scans, and the photo session, to the gallery. InStyle is reprinting it in the May UK issue. Soon you’ll find here proper scans with the whole article.

Just found out the pictures Julianne did for Talbot campaign in a good quality. Check it:

W Magazine has published today a photoshoot serie named Best Performances. The introduction says: “The most remarkable moments in film this past year weren’t 3-D action sequences but characters so real they hurt. Here, the actors who made us believe.“.
Julianne is honored by her work on “The Kids Are All Right” (as so her co-stars Anette Bening and Mark Ruffalo), and the photoshoot you can found in our gallery.

“Acting forces you to look at yourself all the time. You have to move through these ages: You’re a teenager, a daughter, then a mother. You can never get stuck in your own bubble—acting doesn’t allow that.”