Hello everyone, my name is Claudia and I’m the new co-web to the site. I joined to help Holly with the site and to share with her and you all my deep love for Julianne which goes on, endless and always stronger since a decade. To start I’ve uploaded HQ scans from Empire Magazine which have been kindly donated to us by Luciana. Enjoy them!



Gallery link:
Magazine Scans > Scans from 2014 > Empire (October 2014)

I’ve added a few new things to the gallery today: one photoshoot (Madame Figaro), a Mockingjay Part I still and a scan from the Italy copy of Vanity Fair. Thanks to Luciana for the shoot and Claudia for the scan! I’m also happy to announce that images from Julianne’s appearances from the earlier years are now complete! There are still a few albums missing here and there but when I find the images I will add them. I hope you all enjoy the new additions.

Gallery Links:
• Studio Photoshoots > Session #139
• Magazine Scans > Scans from 2014 > Vanity Fair – Italy (June 2014)
• Film & TV Productions > 2015 – The Hunger Games: Mockingjay > Production Stills

I’ve added a scan from Hello Canada to the gallery with thanks to Claudia!

Gallery Link:
Magazine Scans > Scans from 2014 > Hello! Canada Magazine (June 12, 2014)

Instyle October 2013 Scans
January 19th, 2014

I’ve added digital scans of Julianne from her piece in Instyle for October to the gallery.

Gallery Link:
Home > Magazine Scans > Scans from 2013 > 2013 – Instyle (October)

Julianne led the way to the just-finished room, which feels like a glimpse into the future: a fully equipped, heart-of-the-house kitchen designed like a living room, with freestanding furniture-like cabinetry, large-scale contemporary photos hung gallery-style, and a Berber carpet under the table. It’s a room that’s at once formal and informal, welcoming and grand. “Isn’t it risky to have a shaggy wool rug in the kitchen?” we asked. “Actually, it’s incredibly forgiving,” she said. “Everything comes out of wool.”

She may be one of the great actresses of our day, but she moonlights as one of us: a design junkie (case in point: she acted as the shoot stylist, looking into the camera and readying every angle). Just get her on the subject of doormats, and you know she’s fully committed. During idle moments on movie sets, she told us, she strikes out in search of ceramics (“I like local pottery, utilitarian things”), such as the stoneware candelabra on her kitchen table, a find from the Mississippi Mud shoot near Marigold, Mississippi.

Over the years, Julianne has developed her own design rules—inspired in part by the spare yet warm aesthetic of Belgian architect Vincent Van Duysen (“I steal from his stuff all the time”)—which go something like this:

• Control the colors you allow into your life. The palette in the house (and even the backyard garden) is limited to ivory, gray, black, brown, and the occasional touch of purple. When she initially remodeled the townhouse 10 years ago, the first floor was done in shades of gray (shots of it buzzed around the web, inspiring copycat paint jobs the world over). But she started longing for a brighter outlook and went for an off-white: “It felt dark in here. White lets the furniture to pop.”

• Spotlight interesting textures. “Color is just not what I like to look at,” she says. “I like natural things.” Toward that end, a giant sea sponge rests on an Eames pedestal, antique turtle shells decorate the back wall, a brown sheepskin from the Union Square Farmer’s Market drapes over a wooden armchair, and a thrift store driftwood lamp stands like an animated scarecrow next to the sink. Also high on her list: natural materials like plaster, wax, rattan, and rice paper (the latter is what the room’s giant Noguchi lantern light is made of).

• Matte trumps shiny. Oliver knows never to suggest any finish that gleams. The counter is honed black granite. The backsplash is made from concrete squares that closely match the color of the wall. (And it was such a hard sell that Julianne only agreed to add it to the stove area; the kitchen sink is deep enough that it gets away without a backsplash.) And the table, a modern farmhouse design, has a vegetable-based finish that she points out is satisfyingly “super matte.”

• Art should be everywhere. It elevates a room and works its magic over a sink just as much as it does over a formal mantel (yes, the kitchen has one of those, too, a holdover from its days as a parlor). Currently on display: Large-scale photos by Jack Pierson, Ori Gersht, and Nan Goldin.

• Everything should be put to use—or else nixed. Julianne credits this philosophy to her mother: “I was a military brat and we moved a lot, but my mother knew how to pull together a room and liked a Scandinavian aesthetic. She inspired my interest in design.” The use-everything approach extends to the furniture: “Nothing should be so precious that children and dogs aren’t welcome on it.”

Nice way to live, right? For a full exploration of the kitchen, see our new book, Remodelista, A Manual for the Considered Home, with a foreword written by Julianne Moore herself. And you can get copies autographed by Julie Carlson via Book Passage.

source

healthmagazine

Julianne Moore is smoking-hot!

Just take a look at her recent cover of Health magazine, where she’s positively radiant in a sequined red tank paired with flattering skinny jeans, stacked gold rings and a delicate gold necklace.

The 52-year-old star’s striking red hair is casually worn down with a simple middle part, and we have to say she looks cool and confident while flaunting her fit figure and toned arms.

So how does she maintain her healthy physique while keeping up with a busy schedule? She mixes it up!

“I try to do Ashtanga yoga two to three times a week. I’ve also started working out with a trainer, doing light weights and a lot of jumping around,” she tells the magazine.

As for her favorite sneaky way to work out while still having fun, Moore embraces ocean life.

“I paddle board. But it’s not the kind of exercise people say it is. I think you have to really paddle hard. But if you’re just gliding along like I am, then no!” she laughs. “The main problem is I can’t do anything six days straight because I get hurt. That’s the thing about old age—eventually your hip starts to hurt and you have to switch to do something else.”

And when all else fails, Moore relies on alternative medicine, specifically acupuncture, to alleviate those aching muscles and joints.

“For back pain, it’s amazing. I also had a period after my mother died where I couldn’t sleep. I mean, I was just in shock for the longest time and didn’t sleep for, like, a year. I was just a wreck. And I had some really intense acupuncture treatments, and it kind of reset my nervous system. So I think it’s very helpful.”

Julianne is featured for Instyle October 2013 and I will add scans as soon as I can get them. In the meantime, read this interview!

Getting older in Hollywood can’t be an easy task, but actress Julianne Moore has managed to age with grace in the age-denying town.
“I can’t complain. I’ve been pretty lucky,” the October InStyle cover star, who was just cast in The Hunger Games: Mockingjay Parts 1 & 2, tells the mag when pressed about women getting good roles in their mid-50s.
“And I think the more we talk about it, the more we make it real,” the 52-year-old Academy Award nominee continued. “I hate being asked this stuff! Let’s appreciate where we are. Let’s not wish our lives away.”

Wearing a dark green blouse by Calvin Klein Collection and stunning necklace by Lorraine Schwartz, the actress also says she’s very content with the current stage of her life.

“I feel very much in the middle of my life,” she muses. “Being in a relationship for 17 years, having kids who are not babies anymore, living in the house we want to live in, and really enjoying the work I do.”

Moore has two children, 15-year-old Caleb and 11-year-old Liv with her director hubby Bart Freundlich, and, like any caring mother, the Game Change star admits her kids are growing up too quickly.

“When your kids are young, they’re always holding your hand,” she recalls. “Then suddenly you turn around and it’s not happening anymore. The days are long; but the years are short.”

But luckily, as her children grow up, the redheaded beauty has plenty of promising roles to keep her busy.

“I’m a big checker-offer,” she says. “Yet I’m always trying to reconcile between wanting to accomplish something and still staying in the present moment.”

No telling what task the hardworking star will take on next!

source

The October issue of Total Film magazine has ‘Don Jon’ on highlights, as one of the coolest movies being made. It also has a pretty picture of Julianne as Joseph Gordon-Levitt’s therapist. Also, they bring us an article naming her ‘Instant Expert’ with some key movies and some comments on her most recent career choices.

A prim Bible-basher with a psychotic streak in Carrie. A witch with a beast lurking within in Seventh Son. If Julianne Moore’s upcoming genre jaunts seem like U-turns for an actor renowned for minimalist smarts rather than mainstream spectacle, don’t be fooled. An unpretentious character actor-as-star, Moore trades in the tension between surface reserve and underlying turmoil: over 23 years of indie and mainstream acclaim, she’s got ‘what lies beneath’ down to a fine, fearless art.

Check scans in our gallery:

Lots of things added today to the gallery. Mostly in thanks to the old webmaster, Luciana for pointing them out to me. With her help, two gorgeous new shoots of Julianne have been added to the gallery as well as some magazine scans. Thanks to Victoria and Lindsey for some of the scans! A additional poster from “Shelter” which was renamed to “6 Souls”. Stay tuned for a brand new layout as well soon!


Gallery Links:
• Studio Photoshoots > Session #137
• Studio Photoshoots > Session #138
• Magazine Scans > Scans from 2013
• Film & TV Productions > 2010 – Shelter > Posters

Recently Julianne sat down with Dujour Magazine for a interview and delved into topics of motherhood, things men aren’t asked and plastic surgery. You can see a snippet of the interview below and make sure to head over to the magazine’s site (link above) to read the entire article with Julianne.

In person, Moore comes across as both warm and no-nonsense—her responses to several of my questions betray a very low-key frustration with the kinds of questions she’s always asked, but she’s genial nevertheless. “Do we have to talk about parenthood?” she wonders, after I push her to elaborate. “I don’t mind, but I do think it’s an extremely profound experience, something that’s difficult to encapsulate in a single interview.” Later, she worries that queries about parenting and getting older might be inherently sexist, regardless of intent. “Men aren’t asked about age,” she points out. “Men aren’t asked about their children. Not that these things aren’t important, but I do feel like it becomes reductive,” she says, returning to the same (not particularly common) word that she used earlier in our conversation, “when a woman’s life becomes, ‘Talk to me about your kids and how you feel about plastic surgery.’?”